À propos de Nice (1930) by Jean Vigo and photographed by Boris Kaufman (Dziga Vertov's brother).

Finisterre (2003) Paul Kelly & Kieran Evans

'London has always been a source of influence, inspiration and curiosity. Paul Kelly and Kieran Evans' FINISTERRE tries to identify the dreams that London holds for so many, and the reality of the city -- the spaces between the landmarks, the spaces Londoners inhabit. Presented and scored by Saint Etienne, the film takes us on a journey from the suburbs into the heart of the city over an imaginary 24 hours.' IMDB

Filmmaker Paul Kelly and Saint Etienne talk about their unique trio of films documenting the changing face and disappearing places of the capital, including the influence of Patrick Keiller  - http://www.bfi.org.uk/news-opinion/news-bfi/interviews/saint-etienne-paul-kelly-london-trilogy

Patrick Keiller - London (1994), Robinson in Space (1997), and Robinson in Ruins (2010)

Patrick Keiller is best known for his series of film essays, London 1994, Robinson in Space 1997, and Robinson in Ruins 2010, in which a fictional, unseen scholar Robinson undertakes exploratory journeys around England, prompting him to reflect on the relationship of landscape and place to greater global themes.'.

Of Time and the City - Terence Davies (1945- ), filmmaker and writer, takes us, sometimes obliquely, to his childhood and youth in Liverpool. He's born Catholic and poor; later he rejects religion. He discovers homo-eroticism, and it's tinged with Catholic guilt. Enjoying pop music gives way to a teenage love of Mahler and Wagner. Using archival footage, we take a ferry to a day on the beach. Postwar prosperity brings some positive change, but its concrete architecture is dispiriting. Contemporary colors and sights of children playing may balance out the presence of unemployment and persistent poverty. Davies' narration is a mix of his own reflections and the poems and prose of others.

'Baraka is an incredible nonverbal film containing images of 24 countries from 6 continents, created by Ron Fricke and Mark Magidson, with music from Michael Stearns and others. The film has no plot, contains no actors and has no script.  Instead, high quality 70mm images show some of the best, and worse, parts of nature and human life.  Timelapse is used heavily to show everyday life from a different perspective.  Baraka is often considered a spiritual film.'



'Baraka with a Movie Camera: From City Symphony to Global Symphony' by Wilson Santos

Also see:

Rien que les heures (English: Nothing But Time or Nothing But the Hours) is a 1926 experimental silent film by Brazilian director Alberto Cavalcanti showing the life of Paris through one day in 45 minutes. Cavalcanti made a similar film about Berlin the next year.

Charles Sheeler and Paul Strand's Manhatta (1921)

Andre Sauvage's Etudes sur Paris (1928)