I have decided to do a thematic and shot analysis of the final scene of my film.
https://www.youtube.com/watch?v=IUD5ghFpt6s&feature=youtu.be
Weston College - The Seagulls and the FA Cup
Our friends at Weston College put together this piece on our FA Cup tie with Doncaster Rovers.
Uploaded by SeagullsAFCTV on 2014-12-25.
Students from Weston College produced this film of the FA Cup 1st Round Game, Weston-s-Mare AFC V Doncaster Rovers. Recorded on 18/11/2014. Published on Seagulls AFCTV as Christmas gift to fans on 25/12/2014
Crew:
Camera Sound: Emily Eades, Chris Gordon, Seb Harris, Poppy Mobsby, Dave Shuttleworth, Samuel Wiggins, Richard Edkins & Jimmy Hay.
Edited by: Chris Gordon
FdA Film & Media Arts Production & BA Contemporary Arts Practice.
FCP X: Export Multi-channel Audio
The Larry Heard Tutorial below about exporting Multi-channel Audio is useful guide for preparing audio for Post Production for Pro Tools...
When editing it is best to label audio as you go, i.e. Ambience, Music, Dialogue... ADR.
Alternatively you can also export each 'track' (albeit virtual tracks in fcpx) by selecting that audio 'track; on the timeline and exporting each 'track' separately as aiff audio channel, stereo or mono
There are plugins such as X2Pro Audio Convert which 'integrates Final Cut Pro X into the professional audio workflow. It easily moves audio projects to Avid Pro Tools via AAF with embedded or referenced audio media. X2Pro converts an FCP X XML into an AAF file which Avid Pro Tools can open as a session, delivering seamless integration between the two applications'.
Weston v Doncaster PCP
Professional Commercial Practice filming for Weston v Doncaster last November.
Uploaded by SeagullsAFCTV on 2014-12-25.
Writers Block behind the scenes preparation videos, Updates
Here are 2 of my promo films that I made just before we went off to Glastonbury in an attempt to further advertise the film to our backers and keep them entertained.
https://www.youtube.com/watch?v=uEjsvHnz_YY
https://www.youtube.com/watch?v=gBp3ce5xxvQ
Filmed on the C100 and the Sony A7s respectively. Edited by me.