Nantes Treatment

The Adventure

The storyline will carry out all in first person capturing feet and hands therefore breaking the fourth wall between the camera and the audience.

It will start off at London St Pancras station, capturing the journey on the train, to then arriving in Paris then taking the metro across France to Nantes. When arriving in Nantes, the ‘first person style’ will capture a variety of architecture, history, transport, food/music culture, nature and nightlife.

All of the above will cover the Green Capitol aspect of why they are a Green City. Without making a documentary on selling the city to a holiday audience with facts, statistics and talking heads, we are portraying a lifestyle through the eyes of the general public or a tourist (ourselves).

The narrative will be covering all the days/nights including waking up, reaching for the alarm, opening the curtains, walking in amongst crowds, taking pictures through an iPhone, ordering a drink, listening to live music, visiting the architecture, walking through the Botanical Gardens etc.

All of these will not only be visually pleasing but sound driven. Just as Jimmy and Rich have both been reiterating for the whole process.

OUT NOW. Get it from iTunes: http://po.st/IGotU Subscribe to Duke Dumont's YouTube Channel:http://smarturl.it/DukeDumontYoutube Buy Blasé Boys Club Tees at: http://dukedumont.com http://www.facebook.com/dukedumont http://www.facebook.com/onmyjaxjones Tag "I Got U" on Shazam to get a free download of the Tensnake remix. Music video by Duke Dumont performing I Got U.

The Flâneur, Psychogeography and Drift Photography

These articles may give some inspiration or context for your film in Nantes?

1st Person, Adventure, Flâneur, Exploring the city

Not to find one’s way in a city may well be uninteresting and banal. It requires ignorance — nothing more. But to lose oneself in a city — as one loses oneself in a forest — that calls for a quite different schooling. Then, signboard and street names, passers-by, roofs, kiosks, or bars must speak to the wanderer like a cracking twig under his feet in the forest.Walter Benjamin, A Berlin Chronicle 1

3 guys, 44 days, 11 countries, 18 flights, 38,000 miles, an exploding volcano, 2 cameras and a terabyte of footage = the trip of a lifetime. Start your own adventure at http://www.statravel.com.au/ Watch these 3 travelers (Rick Mereki, Andrew Lees and Tim White) move, eat and learn their way around the world.

Benjamin the surrealist collects together the images of the city that the flâneur presents to him, to be left with a vast array of past objects, buildings and spaces that he then attempts to reassemble into illuminating order.Deborah Parsons, ‘Streetwalking the Metropolis: Women, the City and Modernity’

Mike's Blog: http://mikeskinner.so The D.O.T.: http://the-dot.net

Baudelaire established a tradition that moved through the early modernists, to the Surrealists and on to the Situationists.  As part of the latter movement, Guy Debord developed the notions of the dérive and the ‘spectacle’.  A dérive (in English ‘drift’) is the means by which ‘psycho-geographies’ are achieved.  A drift is an unplanned walk, usually through a city or marginal area, and a psycho-geography involves the walker creating a mental map of the city which:

depends on the walker ‘seeing’ and being drawn into events, situations and images by an abandonment to wholly unanticipated attraction.

Chris Jenks (ed), ‘Visual Culture’ More

The video to the song - an edited version of Dziga Vertov's 1929 movie of the same name. Must be shared. Just to clarify, I did not make this. It was created for/by the Jason Swinscoe & Co. to my knowledge. Also: Buy their new album, "Ma Fleur." Amazing.

Flâneur with a Movie Camera

'In these early city symphonies and documentary films of the Soviet avant-garde, we find the city itself as stand-imotor modernity. The filmmakers turn their cameras to their contemporary moment like the Baudelarian flâneur as described by Walter Benjamin. The flâneur is a wanderer and observer. In the 19th century the flâneur strolled the streets of quintessential modernist cities like New York, Paris, and London, return home only to record the images of the day with pen and paper. In the 1920s and 30s, Dziga Vertov and others seem to emerge as a more instantaneous version of the flâneur. Rather than waiting to record the images in writing, the filmmakers are able to document their wanderings as they happen, evoking a sense of immediacy.

The flâneur does not wander in straight lines, nor in temporal sequence. In Vertov’s “Man with a Movie Camera,” the flâneur, the eponymous “Man,” is a collage/montagist, collecting and arranging is hosts and images without regard for narrative or temporal sequence. When the flâner turns the camera on the city, he finds complexity and unity. Fittingly, Strand and Sheeler’s film borrows from Whitman, the American flâneur, wandering the country and rejoicing in Democracy. Such democratic ideals emerge in Grierson’s documentary of a fishing trawler, as the filmmaker does not discriminate in subject matter but rather embraces the laborer as appropriate for artistic treatment as are kings'. Source

In 2008, I walked through China - 1 year, 4500km. I let my hair and my beard grow. This is the resulting video. Add me on FB: ▶ https://facebook.com/crehage on TW: ▶ https://twitter.com/crehage or drop by on my site: ▶ http://www.crehage.com INFO: ▶ I never finished my original goal of walking to Germany.

Further Reading/ References

Charles Baudelaire, "The Painter of Modern Life", (New York: Da Capo Press, 1964). Orig. published in Le Figaro, in 1863.

Digital, Audio Visual, Communication - Volunteering Opportunities

Clem has spoken with a Sarah Gottesman from Penny Brohn Cancer care who says she has some work placement/experience opportunities that may benefit some of you.

These roles may be of interest. Use Link below to find out more and apply.

See Richard, Jimmy or Clem if you are interested.

Communications Intern

Increase awareness and highlight the work of the charity by contributing to the brand, marketing and PR work at an exciting time in the charity’s history. We are looking for a creative individual who will bring enthusiasm and initiative to the role which will be varied and responsive. You will need strong research skills, a flair for writing and the ability to be proactive and work unsupervised. We need someone two days a week, ideally for six months.

Digital Curation Volunteer

Maximise the potential of our images and other digital assets so these resources can be used effectively. We are looking for a skilled and highly organised individual with an eye for detail to help collate, categorise and file images and other media files. You will also need to identify effective images for publication across a variety of media. This is a finite project and we need you to commit two days a week (flexible) until the project is completed.

Audio Visual Volunteer

Build our digital assets library to ensure we have relevant quality images, video and audio for use across a range of platforms. We are looking someone with practical skills who can produce publishable materials in photo, video and audio formats. The work will be varied, including capturing client stories and images, a wide variety of events as well our facilities and generating other relevant material. It will allow us to be more accessible and bring to life the services we offer clients. This role requires flexibility and work would vary in time and location depending on what is being recorded.

Web Administrator for the shop website

Increase web sales to help fund our services.

The website needs regular updating including amending items and adding new products, images and special promotions. 
We are looking for someone who is confident with IT systems, happy to learn new software and is able to use their own initiative. Training on the website software and a full induction are provided. We need someone who is able to offer a day a week.