Great doc film now showing on i-player.
The previously unreleased 2006 documentary “Our Hobby Is Depeche Mode” by video/installation artist Jeremy Deller and psychotherapist/filmmaker Nick Abrahams is available now in the BBC Storyville series.
Fight the Power: How Hip-Hop Changed the World (2023)
“Public Enemy’s Chuck D leads a cast of hip-hop icons and leading African-American and Latino cultural commentators as they chart the factors that led to the birth of the revolutionary art form of hip-hop in 1970s New York, as well as the creation of the seminal hit The Message.
They evoke a picture of how, after the turbulence of the 60s and the civil rights struggles, desperate social conditions and the experience of countless dispossessed people of colour living in a city mired in crisis helped give birth to a new art form.”
Some Kind of Heaven (2021) - Dir. Lance Oppenheim
“America’s seniors have discovered the fountain of youth. It’s in The Villages, FL. With SOME KIND OF HEAVEN, first-time feature director Lance Oppenheim cracks the manicured facade of The Villages, America’s largest retirement community – a massive, self-contained utopia located in Central Florida. Behind the gates of this palm tree-lined fantasyland, SOME KIND OF HEAVEN invests in the dreams and desires of a small group of Villages residents – and one interloper – who are unable to find happiness within the community’s pre-packaged paradise. With strikingly composed cinematography, this candy-colored documentary offers a tender and surreal look at the never-ending quest for finding meaning and love in life’s final act. Now available everywhere”
Directed by Lance Oppenheim
Produced by Darren Aronofsky, Kathleen Lingo, Jeffrey Soros and Simon Horsman, Melissa Oppenheim Lano, Pacho Velez, and Lance Oppenheim
https://somekindofheaven.com/
Recommended by Charlie Parry
THE NOWHERE INN (2021) Dakota Johnson, St. Vincent
‘A rockumentary with a whole load of differences, The Nowhere Inn asks who the real Annie Clark is and winds up without an answer, giving away next to nothing about the woman behind St. Vincent apart from the fact that she has a pretty damn dark sense of humour. Melding a deadpan mockumentary with moody live footage from the ‘Masseduction’ tour and a heavily stylised psychological thriller, Annie Clark plays herself, as does her best friend Carrie Brownstein, who Clark has hired to make a film about her.’
The Velvet Underground (2021) Dir. Todd Haynes
‘The Velvet Underground. A hypnotic new documentary and the first major film to tell the band’s legendary story. Playing in theaters and on Apple TV+ now. The Velvet Underground created a new sound that changed the world of music, cementing its place as one of rock and roll’s most revered bands. Directed with the era’s avant-garde spirit by Todd Haynes, this kaleidoscopic oral history combines exclusive interviews with dazzling archival footage. ‘
The film looks great, superb editing using split screen and much of Andy Warhol's films from the period. The film is as much about the experimental art/ film scene as well as the music and band. Featuring interviews with film maker Jonas Mekas too
INTERVIEWS / Director Q&A…
This filmmaker conversation (below) from IDA, features director and producer Todd Haynes and producers Carolyn Hepburn, Christopher Clements, and Julie Goldman, moderated by Anne Thompson, Editor at Large at IndieWire.
At 12.53 Todd Haynes talks about the way the interviews were shot and why they were treated, edited, formatted how they were.
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UPRISING (2021) - Steve McQueen
From Academy Award winner Steve McQueen comes Uprising, a vivid and visceral three-part series for BBC One examining three events from 1981.
‘1981: a devastating fire leaves 13 black teens dead. The protests, unrest and accusations of indifference defined race relations for a generation.’
Episode 1: ‘After the New Cross fire and the Black People’s Day of Action, tensions between the community and the police escalated when a massive stop-and-search operation was launched, targeting black people on the streets of Brixton. In April, the situation boiled over into one of the biggest riots in British history. Buildings were burned down and hundreds of police injured. Riots then flared up all over the country, from Southall to Toxteth, but by the year's end, the people of New Cross were no closer to knowing who started the New Cross fire or why - and a lack of answers and justice has lingered over the case ever since’ - BBC iPlayer
Also see his Film Drama series Small Axe, the episode ‘Lovers Rock’
Gunda: Mother, Pig
Gunda provides a glimpse into the raw and simple power of nature through mesmerising encounters with farm animals, the eponymous Gunda, a mother pig, two ingenious cows and a scene-stealing, one-legged chicken.
Film-maker Victor Kossakovsky reminds us of the many lives that share this earth with humans and their value. From the first steps of piglets to the roaming joy of freed cows, Gunda: Mother, Pig draws a connection between human and animal, and the planet that we share with creatures great and small. (BBC iPlayer)
Victor Kossakovsky’s 10 Rules for documentary filmmaking:
Russian filmmaker Victor Kossakovsky’s 10 Rules for documentary filmmaking:
1. Don’t film if you can live without filming.
2. Don’t film if you want to say something – just say it or write it.
Film only if you want to show something, or you want people to see something. This concerns both the film as a whole and every single shot within the film.
3. Don’t film, if you already knew your message before filming – just become a teacher. Don’t try to save the world. Don’t try to change the world. Better if your film will change you. Discover both the world and yourself whilst filming.
4. Don’t film something you just hate. Don’t film something you just love. Film when you aren’t sure if you hate it or love it. Doubts are crucial for making art. Film when you hate and love at the same time.
5. You need your brain both before and after filming, but don’t use your brain during filming. Just film using your instinct and intuition.
6. Try to not force people to repeat an action or words. Life is unrepeatable and unpredictable. Wait, look, feel and be ready to film using your own way of filming. Remember that the very best films are unrepeatable. Remember that the very best films were based on unrepeatable shots. Remember that the very best shots capture unrepeatable moments of life with an unrepeatable way of filming.
7. Shots are the basis of cinema. Remember that cinema was invented as one single shot – documentary, by the way – without any story. Or story was just inside that shot. Shots must first and foremost provide the viewers with new impressions that they never had before.
8. Story is important for documentary, but perception is even more important. Think, first, what the viewers will feel while seeing your shots. Then, form a dramatic structure of your film using the changes to their feelings.
9. Documentary is the only art, where every esthetical element almost always has ethical aspects and every ethical aspect can be used esthetically. Try to remain human, especially whilst editing your films. Maybe, nice people should not make documentaries.
10. Don’t follow my rules. Find your own rules. There is always something that only you can film and nobody else.
Posted: October 2, 2009 by Eva (LINK to Source)
Summer Soul (...Or When The Revolution Could Not Be Televised) - Directed by Ahmir “Questlove” Thompson (2021)
Such an amazing film! Footage unseen for 50 years. Amazing performances from: Stevie Wonder, Sly and the family Stone, Nina Simone, Staple Singers... Great music but also covers the shift in politics, culture and identity. Essential watch!
”Summer of Soul (...Or When The Revolution Could Not Be Televised) is the acclaimed debut by filmmaker Ahmir ‘Questlove’ Thompson. For six weeks in the summer of 1969, just 100 miles south of Woodstock, The Harlem Cultural Festival was filmed in Mount Morris Park (now Marcus Garvey Park). It was an epic event that celebrated Black history, culture and fashion. After that summer, the footage was never seen and largely forgotten – until now.
Summer of Soul brings us back to a powerful and transformative moment in history and stands as a testament to music and culture as collective empowerment. In times of unrest, it comes as a moving testimony and an inspiration. Ahmir ‘Questlove’ Thompson presents a powerful and transporting film that includes never-before-seen concert performances from Stevie Wonder, Nina Simone, Sly & the Family Stone, Gladys Knight & the Pips, Ray Baretto, Abbey Lincoln & Max Roach and more.” - Watershed
Can't Get you out of my Head - Adam Curtis (2021) - BBC iPlayer
Love, power, money, ghosts of empire, conspiracies, artificial intelligence – and You. An emotional history of the modern world by Adam Curtis.
‘Can't Get you out of my Head’ new film series by Adam Curtis now on iPlayer. Watch here
Trailer:
Interviews, Articles and Reviews
Leave your thoughts on the films in the comments below
Tiger King - TV Documentary Series (2020)
‘A zoo owner spirals out of control amid a cast of eccentric characters in this true murder-for-hire story from the underworld of big cat breeding.’
One of the most watched documentaries (‘The Last Dance’ has since topped these viewing figures), if you’ve not seen it yet it is worth catching up on.
It sure is compelling viewing. Is it a good documentary ? Gregory Cameron in an essay on Medium argues it is not. What do you think?
Burma VJ (2008)
Going beyond the occasional news clip from Burma (Myanmar) , the acclaimed filmmaker Anders Østergaard combines original footage recorded by undercover video journalists from the Oslo-based publication, Democratic Voice of Burma (DVB), with a controversial reconstruction of scenes from the Saffron Revolution that launched in 2007. As explored by Pulitzer Prize-winning author and journalist Andrew Marshall wrote in his critical review of this riveting film, those elements of the film that are reconstructed challenge the viewer to make up their own minds on the role of the film-maker and artistic liberty in documenting what the Burmese state does not want documented. Read More - Cinema Politica
Cold War Steve Meets the Outside World
Cold War Steve Meets the Outside World airs Tonight, 24 November at 9pm on Sky Arts, Freeview Channel 11
'Famed for his collages that have been making Twitter a better place, Cold War Steve has an eye for the obscure. His artwork, Monty Python esque, nails a political moment every time with a laugh-out-loud funny hell-scape usually involving Boris Johnson in a state of duress and undress and world leaders rubbing shoulders with a whole host British TV stars including Jeremy Beadle and Eastenders’ Phil Mitchell.
Beyond Twitter, Cold War Steve has taken his work on a tour of the UK. Followed by a documentary crew, he jumped in his motorhome and visited Medway, Coventry, Liverpool and Bournemouth, showcasing four pieces out in the open. These Covid safe installations were free for everyone to visit and, well, caused a little bit of controversy along the way.' Shortlist
Gideon Soames of The Fast Show fame (Actor - Simon Day) deep dives into an artistic critique of the work of Cold War Steve.
’Cold War Steve meets The Outside World’ is now on Sky Arts. This is an additional 11 min extra.
1 Second Everyday - Cesar Kuriyama
‘1 Second Everyday is a video journal that makes it easy for people around the world to create meaningful movies that include every day of their lives.
It all started in 2011, when video and VFX artist Cesar Kuriyama decided to take a year off from work to spend more time with family and friends and see the country on a 95-day road trip. To document the year, Cesar began recording short snippets of video every day, which he compiled into a six-minute video to encapsulate that entire year of his life.’
73 Cows (2018) Alex Lockwood
73 Cows is the story of Jay Wilde, a beef farmer who battles with his conscience every time he takes his cows to slaughter. Feeling trapped within an industry he no longer believes in, Jay knows he must make a change and do what no other farmer from the UK has ever done before. © Lockwood Film.
Below is video from conversation with Documentary Film maker Alex Lockwood, director of 73 cows and Freya (TeaAt3).
My America (2018) Barnaby Roper
My America is a 17-minute short documentary that raises the voices of a group that are often accounted for, but seldom listened to: youth. The film follows a small group of disenfranchised young people as they describe what their personal America looks like, and how they are trying to enact change in their own way.
My heartfelt thanks to everyone that came together to make this film happen - for sharing and trusting us with your stories and hope for America’s future. To our team, for making a 6,600 mile trip in 10 short days, one of the most enjoyable experiences in my life - your talent, drive, selflessness and ability to sleep for 10 hours a day in a 15 seat pass van will never be forgotten.
Director: Barnaby Roper
Editor: Matt Nee
Producer: Taylor Vandegrift
UPM: Brandon Robinson
DP: Isaac Bauman
AC: Payam Yazdandoost
Sound Mixer: Clint Allday
Drone Pilot: Gabe de la Parra
Music: Tristan Bechet
Black Sheep - (Oscars 2019 Short Documentary Nominee) - Directed by Ed Perkins
Everything changed for Cornelius Walker on 27 November 2000 when Damilola Taylor was killed. Damilola was 11, the same age as Cornelius. He lived five minutes away. He had the same skin colour. Cornelius’s mother, scared for her son’s safety, moved their family out of London. Cornelius suddenly found himself living on a white estate run by racists. But rather than fight them, Cornelius decided to become more like the people who hated him. They became his family and kept him safe. And in return, Cornelius became submerged in a culture of violence and hatred. But as the violence and racism against other black people continued, Cornelius struggled to marry his real identity with the one he had acquired.
Also see, other documentary films on Guardian Documentary including":
The Black Power Mixtape 1967-1975 - GÖRAN OLSSON (2011)
‘From 1967 to 1975, fueled by curiosity and naïveté, Swedish journalists traversed the ocean to film the black power movement in America. The Black Power Mixtape mobilizes a mosaic of images, music, and narration to chronicle the movement’s evolution.’ - MUBI
Question Bridge
Question Bridge is an innovative transmedia project that facilitates a dialogue between Black men from diverse and contending backgrounds and creates a platform for them to represent and redefine Black male identity in America.
Chris Johnson originated the Question Bridge concept with a 1996 video installation he created for the Museum of Photographic Arts and the Malcolm X library in San Diego, California
Desktop Cinema
‘A loose chronological primer on desktop cinema aka "Screen Life" aka desktop documentary’ by Conor Bateman.
‘Drawing In The Future’ by Laura Houlberg was the winner of Bertha DocHouse's Creative Response to Self-Isolation Competition #6 2021, 'Back to the Future.'
The etymology of "contract" is "to draw several objects together, to draw in." 2020 broke every social contract we thought we had. Big Tech continues to insidiously draw us into a new contract that requires us to always be online. And in response to all the chaos, I contracted into myself. It made me feel weird at first, but maybe a little cool down is just what we all need.
Check out a time capsule of the screening & party for the film, hosted in a Google Sheet: docs.google.com/spreadsheets/d/195AiOPubMfHvEIfYSfAduLIV31YT_LCiSzm1NzFgRVA/edit#gid=1293633960
Also see these threads for other ideas of films that could be explored in Lockdown/ with limited means:
How My Family Dealt With the Coronavirus Outbreak - Junting Zhou
‘The coronavirus outbreak didn’t decimate my family’s hometown, Guangzhou, China — at least not the way it did in Wuhan, the epidemic’s epicenter, more than 500 miles away.
But when I visited my parents from New York for Chinese New Year, we quarantined ourselves anyway, as the government advised. I documented our experience in the film above, shot entirely on my iPhone.’
Watch film above or follow links below to watch film via - New York Times article page or Junting Zhou’s website.