Harley Robert Bridgman
Hey there partner!
My name is Harley Robert Bridgman. I am a second year student, studying film at University Centre Weston (UCW). I have always loved storytelling in every medium, particularly film and television and carry a lifelong innate appreciation for film as an art form. I am especially captivated by tales of triumph, stories of struggle, battles for survival. Seeing realistic, flawed characters with rich, in-depth backstories and intriguing personalities overcome seemingly unbeatable odds and defeat seemingly undefeatable enemies. As a visual person, I am particularly interested in directing but because of my passion for storytelling, writing is also another area of interest for me.
Over the course of my second academic year as a film student, I have made various, wildly different films for both myself, personal projects and the like, as well as worked on a varied selection of films for numerous vastly different clients with striking artistic visions and uniquely intriguing personalities of their own, helping them to achieve their creative end goals in a variety of different challenging roles with their own set of responsibilities.
Below, you will find every single film that I have worked on during my first two years at UCW, including all of my personal projects and films I have worked on for others.
The Badder, the Baddest and the Somehow Even Uglier.
Bloodlust.
Genre = Drama/Thriller.
Tagline = Stay sharp or wind up dead.
Logline = A hopeful rookie soldier helps a young, injured girl during an unexplained crisis that has decimated the staff and the patients of a local hospital.
Synopsis = A private company security force soldier, COOPER, dressed in all-black combat and tactical gear, armed with a Glock pistol strapped safely to his thigh, wheels a teenage girl, BONNIE, into an empty hospital. Bonnie has sustained an unexplained injury as she can be seen with a bloody bandage tied tightly around her lower thigh and so, is being pushed around in a wheelchair. Cooper wheels her through a hallway, stopping at a set of double doors and peering inside the room through the tall, narrow windows. He opens the doors and pulls Bonnie inside the hospital ward, drawing his sidearm and performing a swift sweep of the room to ensure the duo’s safety. Once confirming the ward is clear of any and all hostiles or threats, Cooper begins searching the room for any medical supplies that he can use to treat Bonnie’s wound with but has no luck. Cooper approaches the wheelchair and kneels down in front of Bonnie, calmly and patiently explaining to her that he must leave her here where he knows that it is safe, at least for now.
The Bad, the Slightly Less Bad and the Average Looking.
Genre = Western.
Tagline = Watch your back or you may find a bullet in it!
Logline = When a mysterious gunslinger strolls into town, a young man with an ambiguous past must face a menacing opponent and accept the challenge of a deadly duel.
Synopsis = A brooding, threatening, nameless figure, a bounty hunter, wielding a revolver, wrapped in a poncho, cowboy hat and other western-style getup, slowly makes his way down a long stretch of road, as cautious nut curious townsfolk watch on attentively from behind the relative safety of their windows. The gunslinger reaches reaches the end of the street and approaches his bounty target, an average looking man, brandishing a pair of sunglasses, sitting comfortably in a chair, facing the sun. The man gets to his feet and turns to meet eyes with the gunslinger. The pair stare each other down for a short while before drawing their weapons and both firing shots off at each other simultaneously. At first, it is unclear who has been hit, if either of the men even have at all. After a brief moment, the gunslinger’s hat gracefully glides to the floor, having been shot off of his head by the other man. “Sunglasses Man” stumbles, clutching at his throat, before crashing to the ground, dead. The gunslinger’s shot, a fatal one. The gunslinger turns, picks up his hat and puts it back on his head as he steps over the body of his latest victim and walks away, leaving the corpse on the ground.
Lonely Light: Reclaimed, “Upside Down” Version
Lonely Light: Reclaimed, “Everywhere at the End of Time” Version
Lonely Light: Reclaimed, Piano Version
A Brief History of the Undead
Night Night Forever
The Shootout
Subject 17x
A Crossover Episode
Documentary about Nailsea’s History and Glassworks
Tiptoe
Grievance
The Mission
